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Occupation Profile for Broadcast Technicians

Set up, operate, and maintain the electronic equipment used to transmit radio and television programs. Control audio equipment to regulate volume level and quality of sound during radio and television broadcasts. Operate radio transmitter to broadcast radio and television programs.


Significant Points

  • Job applicants will face keen competition for jobs in major metropolitan areas, where pay generally is higher; prospects are expected to be better in small cities and towns.
  • Technical school, community college, or college training in broadcast technology, electronics, or computer networking provides the best preparation.
  • About 30 percent of these workers are in broadcasting, mainly in radio and television stations, and 17 percent work in the motion picture, video, and sound recording industries.
  • Evening, weekend, and holiday work is common.


$30,690.00 Median Annual Wage 2,000 Average Job Openings Per Year
3.8 Average Unemployment Percentage 21.2 Percentage That Completed High School
38,000 Employment Numbers in 2006 43.9 Percentage That Had Some College
42,000 Employment Numbers in 2016 (est.) 35.0 Percentage That Went Beyond College Degree

Sample Job Titles
Access Coordinator, Cable Television
Audio Engineer
Audio Operator
Audio Technician
Audio/Video Technician
Board Operator
Broadcast Engineer
Broadcast Maintenance Engineer
Broadcast Maintenance Technician
Broadcast Operations Engineer
Broadcast Operations Technician
Broadcast Technician
Chyron Operator
Color Technician
Computer Engineer
Control Operator
Control Room Operator
Electronics Technician
Engineer, Audio
Engineer, Broadcast
Engineer, Control
Engineer, Control Records and Tape Recordings
Engineer, Field
Engineer, Master Control
Engineer, Projection
Engineer, Radio
Engineer, Radio Station
Engineer, Signal
Engineer, Station
Engineer, Studio
Engineer, Studio Operation
Engineer, Telecasting
Engineer, Television
Engineer, Transmission
Engineer, Transmitter
Engineer, Video Control
Engineering and Operations Director
Engineering Director
Engineering Technician
Facsimile Operator
Field Engineer
Field Supervisor, Broadcast
Manager, Sound Effects
Master Control Operator (MCO)
Master Control Supervisor
Microphone Operator
Mixer Operator
Newcast Director
Operating Engineer
Operations Manager
Operations Technician
Operator Technician
Production Assistant
Production Editor
Production Manager
Program Clerk
Program Scheduler
Radio Engineer
Radio/TV Technician (Radio/Television Technician)
Remote Broadcast Engineer
Sound Controller
Sound Mixer
Sound Person
Special Effects Technician
Staff Engineer
Studio Control Operator
Studio Engineer
Supervisor, Control
Technical Director
Technical Testing Engineer
Technician, Control Room
Technician, Field
Technician, News Gathering
Technician, Radio
Technician, Sound
Technician, Sound Effects
Technician, Studio
Technician, Telecasting
Telecine Operator
Television Operator
Television Technician
Transmission Operator
Transmitter Operator
Transmitter Supervisor
Video Operator
Videotape Operator
Wire Photo Operator

  • These occupations usually involve using communication and organizational skills to coordinate, supervise, manage, or train others to accomplish goals. Examples include funeral directors, electricians, forest and conservation technicians, legal secretaries, interviewers, and insurance sales agents.
  • Most occupations in this zone require training in vocational schools, related on-the-job experience, or an associate's degree. Some may require a bachelor's degree.
  • Previous work-related skill, knowledge, or experience is required for these occupations. For example, an electrician must have completed three or four years of apprenticeship or several years of vocational training, and often must have passed a licensing exam, in order to perform the job.
  • Employees in these occupations usually need one or two years of training involving both on-the-job experience and informal training with experienced workers.

Both broadcast and sound engineering technicians usually receive some kind of formal training prior to beginning work. Audio and video technicians usually learn the skills they need through a year or more of on-the-job training, but some have formal education after high school. Radio operators usually train for several months on the job

Education and training. The best way to prepare for a broadcast and sound engineering technician job is to obtain technical school, community college, or college training in broadcast technology, electronics, or computer networking. For broadcast technicians, an associate degree is recommended. Sound engineering technicians usually complete vocational programs, which usually takes about a year, although there are shorter programs. Prospective technicians should take high school courses in math, physics, and electronics.

When starting out, broadcast and sound engineering technicians learn skills on the job from experienced technicians and supervisors. These beginners often start their careers in small stations and, once experienced, transfer to larger ones. Large stations usually hire only technicians with experience. Many employers pay tuition and expenses for courses or seminars to help technicians keep abreast of developments in the field.

Audio and video equipment technicians generally need a high school diploma. Many recent entrants have a community college degree or other forms of postsecondary degrees, although they are not always required. These technicians may substitute on-the-job training for formal education requirements. Many audio and video technicians learn through long-term on-the-job training, lasting from 1 to several years, depending on the specifics of their job. Working in a studio as an assistant is a good way of gaining experience and knowledge.

Radio operators usually are not required to complete any formal training. This is an entry-level position that generally requires on-the-job training.

In the motion picture industry, people are hired as apprentice editorial assistants and work their way up to more skilled jobs. Employers in the motion picture industry usually hire experienced freelance technicians on a picture-by-picture basis. Reputation and determination are important in getting jobs.

Continuing education to become familiar with emerging technologies is recommended for all broadcast and sound engineering technicians and radio operators.

Other qualifications. Building electronic equipment from hobby kits and operating a ham, or amateur, radio are good ways to prepare for these careers, as is working in college radio and television stations. Information technology skills also are valuable because digital recording, editing, and broadcasting are now the norm. Broadcast and sound engineering technicians and radio operators must have manual dexterity and an aptitude for working with electrical, electronic, and mechanical systems and equipment.

Certification and advancement. Licensing is not required for broadcast technicians. However, certification by the Society of Broadcast Engineers is a mark of competence and experience. The certificate is issued to experienced technicians who pass an examination.

Experienced technicians can become supervisory technicians or chief engineers. A college degree in engineering is needed to become chief engineer at a large television station.

Nature of Work

Broadcast and sound engineering technicians and radio operators set up, operate, and maintain a wide variety of electrical and electronic equipment used in almost any radio or television broadcast, concert, play, musical recording, television show, or movie. With such a range of work, there are many specialized occupations within the field.

Audio and video equipment technicians set up and operate audio and video equipment, including microphones, sound speakers, video screens, projectors, video monitors, and recording equipment. They also connect wires and cables and set up and operate sound and mixing boards and related electronic equipment for concerts, sports events, meetings and conventions, presentations, and news conferences. They may set up and operate associated spotlights and other custom lighting systems.

Broadcast technicians set up, operate, and maintain equipment that regulates the signal strength, clarity, and the range of sounds and colors of radio or television broadcasts. These technicians also operate control panels to select the source of the material. Technicians may switch from one camera or studio to another, from film to live programming, or from network to local programming.

Sound engineering technicians operate machines and equipment to record, synchronize, mix, or reproduce music, voices, or sound effects in recording studios, sporting arenas, theater productions, or movie and video productions.

Radio operators mainly receive and transmit communications using a variety of tools. These workers also repair equipment, using such devices as electronic testing equipment, handtools, and power tools. One of their major duties is to help to maintain communication systems in good condition.

The transition to digital recording, editing, and broadcasting has greatly changed the work of broadcast and sound engineering technicians and radio operators. Software on desktop computers has replaced specialized electronic equipment in many recording and editing functions. Most radio and television stations have replaced videotapes and audiotapes with computer hard drives and other computer data storage systems. Computer networks linked to specialized equipment dominate modern broadcasting. This transition has forced technicians to learn computer networking and software skills. (See the statement on computer support specialists and systems administrators elsewhere in the Handbook. )

Broadcast and sound engineering technicians and radio operators perform a variety of duties in small stations. In large stations and at the networks, technicians are more specialized, although job assignments may change from day to day. The terms operator, engineer, and technician often are used interchangeably to describe these jobs. Workers in these positions may monitor and log outgoing signals and operate transmitters; set up, adjust, service, and repair electronic broadcasting equipment; and regulate fidelity, brightness, contrast, volume, and sound quality of television broadcasts.

Technicians also work in program production. Recording Engineers operate and maintain video and sound recording equipment. They may operate equipment designed to produce special effects, such as the illusions of a bolt of lightning or a police siren. Sound mixers or re-recording mixers produce soundtracks for movies or television programs. After filming or recording is complete, these workers may use a process called dubbing to insert sounds. Field technicians set up and operate portable transmission equipment outside the studio. Because television news coverage requires so much electronic equipment and the technology is changing so rapidly, many stations assign technicians exclusively to news.

Chief Engineers, transmission engineers, and broadcast field supervisors oversee other technicians and maintain broadcasting equipment.

Work environment. Broadcast and sound engineering technicians and radio operators generally work indoors in pleasant surroundings. However, those who broadcast news and other programs from locations outside the studio may work outdoors in all types of weather or in other dangerous conditions. Technicians doing maintenance may climb poles or antenna towers, while those setting up equipment do heavy lifting.

Technicians at large stations and the networks usually work a 40-hour week under great pressure to meet broadcast deadlines, and may occasionally work overtime. Technicians at small stations routinely work more than 40 hours a week. Evening, weekend, and holiday work is usual because most stations are on the air 18 to 24 hours a day, 7 days a week. Even though a technician may not be on duty when the station is broadcasting, some technicians may be on call during nonwork hours; these workers must handle any problems that occur when they are on call.

Technicians who work on motion pictures may be on a tight schedule and may work long hours to meet contractual deadlines.

Related Occupations

Sources: Career Guide to Industries (CGI), Occupational Information Network (O*Net), Occupation Outlook Handbook (OOH)

Television stations usually pay higher salaries than radio stations; commercial broadcasting usually pays more than public broadcasting; and stations in large markets pay more than those in small markets.

Median annual earnings of audio and video equipment technicians in May 2006 were $34,840. The middle 50 percent earned between $26,090 and $46,320. The lowest 10 percent earned less than $19,980, and the highest 10 percent earned more than $62,550. Median annual earnings in motion picture and video industries, which employed the largest number of audio and video equipment technicians, were $34,530.

Median annual earnings of broadcast technicians in May 2006 were $30,690. The middle 50 percent earned between $20,880 and $45,310. The lowest 10 percent earned less than $15,680, and the highest 10 percent earned more than $64,860. Median annual earnings in radio and television broadcasting, which employed the largest number of broadcast technicians, were $27,380.

Median annual earnings of sound engineering technicians in May 2006 were $43,010. The middle 50 percent earned between $29,270 and $65,590. The lowest 10 percent earned less than $21,050, and the highest 10 percent earned more than $90,770.

Median annual earnings of radio operators in May 2006 were $37,890. The middle 50 percent earned between $28,860 and $48,280. The lowest 10 percent earned less than $20,790, and the highest 10 percent earned more than $57,920.

For the latest wage information:

The above wage data are from the Occupational Employment Statistics (OES) survey program, unless otherwise noted. For the latest National, State, and local earnings data, visit the following pages:

  • Audio and video equipment technicians
  • Broadcast technicians
  • Radio operators
  • Sound engineering technicians
  • Job Outlook

    Employment is expected to grow faster than average through 2016. But people seeking entry-level jobs as technicians in broadcasting are expected to face keen competition in major metropolitan areas. Prospects are expected to be better in small cities and towns.

    Employment change. Overall employment of broadcast and sound engineering technicians and radio operators is expected to grow 17 percent over the 2006-16 decade, which is faster than the average for all occupations. Job growth in radio and television broadcasting will be limited by consolidation of ownership of radio and television stations and by labor-saving technical advances, such as computer-controlled programming and remotely controlled transmitters. Stations often are consolidated and operated from a single location, reducing employment because one or a few technicians can provide support to multiple stations. Offsetting these trends, however, is a move toward digital broadcasting that will increase employment opportunities. As of February 2009, television stations will only be allowed to broadcast digital signals and, by law, will be forced to turn off their analog signals. Technicians who can install and operate digital transmitters will be in demand as stations attempt to meet this deadline. Radio stations are beginning to broadcast digital signals as well, but there is no law that will require them to do so.

    Projected job growth varies among detailed occupations in this field. Employment of audio and video equipment technicians is expected to grow 24 percent through 2016, which is much faster than the average for all occupations. Not only will these workers have to set up audio and video equipment, but they will have to maintain and repair it as well. Employment of broadcast technicians and sound engineering technicians is expected to grow 12 percent and 9 percent respectively, through 2016, about as fast as the average for all occupations. Advancements in technology will enhance the capabilities of technicians to produce higher quality radio and television programming. Employment of radio operators, on the other hand, is projected to decline rapidly by 16 percent through 2016 as more stations control programming and operate transmitters remotely.

    Employment of broadcast and sound engineering technicians in the cable and pay television portion of the broadcasting industry is expected to grow as the range of products and services expands, including cable Internet access and video-on-demand. Employment of these workers in the motion picture industry is expected to grow rapidly. However, this job market is expected to remain competitive because of the large number of people who are attracted by the glamour of working in motion pictures.

    Job prospects. People seeking entry-level jobs as technicians in broadcasting are expected to face keen competition in major metropolitan areas, where pay generally is higher and the number of qualified jobseekers typically exceeds the number of openings. Prospects for entry-level positions are expected to be better in small cities and towns for beginners with appropriate training.

    In addition to employment growth, job openings will result from the need to replace experienced technicians who leave this field. Some of these workers leave for other jobs that require knowledge of electronics, such as computer repairer or industrial machinery repairer.


    Broadcast and sound engineering technicians and radio operators held about 105,000 jobs in 2006. Their employment was distributed among the following detailed occupations:

    Audio and video equipment technicians 50,000
    Broadcast technicians 38,000
    Sound engineering technicians 16,000
    Radio operators 1,500

    About 30 percent worked in broadcasting (except Internet) and 17 percent worked in the motion picture, video, and sound recording industries. About 13 percent were self-employed. Television stations employ, on average, many more technicians than radio stations. Some technicians are employed in other industries, producing employee communications, sales, and training programs. Technician jobs in television and radio are located in virtually all cities; jobs in radio also are found in many small towns. The highest paying and most specialized jobs are concentrated in New York City, Los Angeles, Chicago, and Washington, DC—the originating centers for most network or news programs. Motion picture production jobs are concentrated in Los Angeles and New York City.

    • Mathematics — Knowledge of arithmetic, algebra, geometry, calculus, statistics, and their applications.
    • Engineering and Technology — Knowledge of the practical application of engineering science and technology. This includes applying principles, techniques, procedures, and equipment to the design and production of various goods and services.
    • Sales and Marketing — Knowledge of principles and methods for showing, promoting, and selling products or services. This includes marketing strategy and tactics, product demonstration, sales techniques, and sales control systems.
    • Medicine and Dentistry — Knowledge of the information and techniques needed to diagnose and treat human injuries, diseases, and deformities. This includes symptoms, treatment alternatives, drug properties and interactions, and preventive health-care measures.
    • Physics — Knowledge and prediction of physical principles, laws, their interrelationships, and applications to understanding fluid, material, and atmospheric dynamics, and mechanical, electrical, atomic and sub- atomic structures and processes.
    • Equipment Maintenance — Performing routine maintenance on equipment and determining when and what kind of maintenance is needed.
    • Coordination — Adjusting actions in relation to others' actions.
    • Active Learning — Understanding the implications of new information for both current and future problem-solving and decision-making.
    • Writing — Communicating effectively in writing as appropriate for the needs of the audience.
    • Troubleshooting — Determining causes of operating errors and deciding what to do about it.
    • Near Vision — The ability to see details at close range (within a few feet of the observer).
    • Stamina — The ability to exert yourself physically over long periods of time without getting winded or out of breath.
    • Explosive Strength — The ability to use short bursts of muscle force to propel oneself (as in jumping or sprinting), or to throw an object.
    • Oral Comprehension — The ability to listen to and understand information and ideas presented through spoken words and sentences.
    • Hearing Sensitivity — The ability to detect or tell the differences between sounds that vary in pitch and loudness.
    • Supplemental — Give technical directions to other personnel during filming.
    • Core — Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.
    • Supplemental — Set up and operate portable field transmission equipment outside the studio.
    • Core — Select sources from which programming will be received, or through which programming will be transmitted.
    • Supplemental — Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality, and position them appropriately.
    • Monitoring and Controlling Resources — Monitoring and controlling resources and overseeing the spending of money.
    • Guiding, Directing, and Motivating Subordinates — Providing guidance and direction to subordinates, including setting performance standards and monitoring performance.
    • Assisting and Caring for Others — Providing personal assistance, medical attention, emotional support, or other personal care to others such as coworkers, customers, or patients.
    • Repairing and Maintaining Electronic Equipment — Servicing, repairing, calibrating, regulating, fine-tuning, or testing machines, devices, and equipment that operate primarily on the basis of electrical or electronic (not mechanical) principles.
    • Getting Information — Observing, receiving, and otherwise obtaining information from all relevant sources.
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